As it is a subject that will likely come up many, many times in the course of my writings on anime for The Stereogram, Masaaki Yuasa is my favorite currently-living director working in the anime scene. In an industry fueled by pandering (generally to lowest-common-denominator male enthusiasts), he is one of the few people willing to look beyond selling merchandise and expand the medium. Each of his works brim with passion he poured into them; there are few anime directors who are as recognizable, especially not in the modern age.
The Tatami Galaxy, Yuasa’s fourth directing effort, is in many ways a reaction against generic means of storytelling, an issue common in modern anime. Though The Tatami Galaxy initially presents itself in a standard form, with a few notable exceptions, it soon becomes a commentary on formulaic plot design, eventually collapsing upon itself in a fantastic conclusion. Continue reading